Irony – the society’s full of it. Anywhere
and everywhere one looks, even in the most mundane of situations, irony springs
up like the ultimate Jack-in-the-box. But there again, the irony is, people
have started to expect and accept irony for what it is, rather than question its
credence and bring the whole establishment down completely.
In this whole schematic of ironical establishments,
one uniquely twisted relation is between the cinemascope, men and the female
actors. The most recent example in this context being, the agog among movie-going
patrons, read men, to watch a particular, made-to-ordered,
B-grade flick. The irony, in the scenario above, wasn’t that men wanted to
watch the movie, the irony was that the same men who went to watch the movie,
came home with the expectation that their wives, daughters and sisters would
avoid the flash and glitter of the entertainment world, not to mention even
think about a probable – however improbable – career in the domain.
And alongside
irony there features hypocrisy; not just among mere moviegoers, but also
amongst the professionals themselves. A lot of veteran actors have been known
to remark that they would rest well in the knowledge that their daughters haven’t
followed their footsteps. Similarly there are those who don’t want their
actor-sons to get married to fellow actresses.
Considering that many such male professionals
have been in relationships, and eventually married fellow-actors in the first
place, isn’t such a reaction a tad bit over-the-top? And even if, the downside of
the profession can be taken as extremely dark, making such statements isn’t
exactly showing favourability and solidarity for a domain, one has been
associated for most of his life.
This is where the whole jibe about irony
and hypocrisy reverts back to the argument about societal norms and its
expectations. A society that premeditates, that women are in a lot of ways
inferior and men, in every way, superior. And it’s the breaching of this
barrier that’s difficult, irrespective of the numerous professional barriers
that women break – breaching the barrier of set outlooks in the minds of the
people.
An
optimistically indifferent person mightn’t even try to breach this barrier, but
fact remains that each and every one of us, at some time or the other, gets ‘pessimistically
vulnerable.’ And since the society makes judgemental calls, instead of merely
raising its opinion or voicing its thoughts; the paradigm of vulnerability increases
by quite a few notches.
But
the major positivity that arises amidst these dreary lookouts is that the
vulnerability doesn’t affect the regular chain of events. Movies are made,
women do play their part in them – at times better than their male
counter-parts and people do flock to cinema-houses in huge throngs. As for the
mind-sets themselves, one can always prognosticate a much positively appealing
future, can they not?
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